Redraw the person from the uploaded photo as a single frame of hand-painted cel animation from the nineteen-nineties. Technique: gouache-painted cels — dense flat colour fills with a hard-edged two-tone shadow, no soft gradients on the skin, a thick uneven black ink outline, one bright specular highlight across the hair, a hand-painted background slightly softer than the character, a muted film palette of teal shadows and warm amber highlights, faint horizontal scanlines, analogue film grain and a slight chromatic edge. Character drawing: nineties animation character design — clearly drawn and never realistic: large almond anime eyes with a hard white highlight, thick single-stroke eyelashes and bold simple eyebrows, a small nose drawn without nostrils, a small mouth, a smooth simplified jaw and no wrinkles or skin texture at all. Render the hair in the same colour as in the photo, only slightly deepened for the film palette, never recoloured into a different hue. Composition: 4:3 frame, low dramatic camera angle from slightly below, the character turned three quarters with the head tilted, wind lifting a few locks of hair, calm determined expression with relaxed brows rather than an angry scowl, gaze off to the side past the camera, background reduced to a dusk sky over a simple silhouette skyline. Recognisability: keep the same hairstyle, the same hair length and colour, the same glasses if the person wears them, the same facial hair and the same clothing colours as in the reference photo, so the person stays clearly recognisable. Stylised simplification of the features is expected and welcome. No modern digital gloss, no photorealism, no 3D rendering, no text, no subtitles, no watermark.